Showing posts with label animation. Show all posts
Showing posts with label animation. Show all posts

Saturday, 14 November 2009

Ratatouille


Dir: Brad Bird
Starring: Patton Oswalt
Year: 2007

Borman's animation badunza (don't look it up - I just made it up) continues with Ratatouille from Pixar. Brad Bird brought us The Incredibles and The Iron Giant and this... the man's a ledge(nd).

Out of those three - not that there's any need to compare them, but I will do for the sake of you small minded people - Ratatouille is by far my favourite. I felt a great kinship with Remi and his love of food. I'm sure Dodge would too but he refuses to watch anything that has rats in it. The snob.

Narry B finds that animation films drawn him more than 'real' films. You would think it would be the opposite, but I can't help shouting at the TV when the bad guy gets the upper hand, or there's a near miss with a grenade in a Disney film.

The plot goes a bit middle ground about half way through after an amazing start, and resorts to predictable Disney formula towards the end, which is why it goes down to Top Work instead of Genius. But it's got all the makings of a classic with a cheeky sense of humour and enough action to have you biting your fingerbones.

Top Wok!

Friday, 6 November 2009

Toy Story


Dir: John Lassetter
Starring: Tom Hanks, Tim Allen
Year: 1995

Has it been almost 15 years already?! I remember the release of Toy Story like it was yesterday, but in Narry Borman's 724 year-long life (and counting), 15 years is a mere blip.

NB's going through something of a Disney phase right now. I find it it purifying. Animation (generally) doesn't disturb you, but it does entertain you. In particular, the works of Ghibli and Disney are obvious but unbeatable selections in the world of cartoon creations.

Anyway, Toy Story is probably about the biggest/most popular Disney film ever (or is that The Lion King? tough call). This is my first viewing since I saw it on release.

Generally, it's held up well, although massive advances in computer graphics technology have left Toy Story looking a bit ropy in places (especially when compared with last week's film, Wall-E).

The story and script also had a few dated 90's moments but still makes you laugh and, yes, cry (that's you, Smaltz, you crybaby), and it certainly hasn't lost that indefinable Disney magic.

NB's taste tends to verge towards the handdrawn animation of Disney rather than the computer generated stuff, which is comparitively lacking in soul if you ask me. All the same, Toy Story is...

Good!

Saturday, 31 October 2009

Wall-E


Dir: Andrew Stanton
Starring: Jeff Garlin (from Curb Your Enthusiasm)

Another Pixar production from the director of Finding Nemo. NB saw this on Blu-Ray and visually it's stunning. A little bit too stunning. It looks and feels like a technical demo for the first half. It doesn't help that there is no, or little, dialog for the first 30 minutes. It's a bold move, respect due, but it doesn't quite work.

Things really kick off when Wall-E goes to space. This is where it peaks visually too. It kind of reminds me of Prince Joe Cool in Space, that short story classic. Wall-E can grasp at the stars.

The story really gets going when Wall-E and the fate of humanity are tied together thru the existence of a plant. Jeff Garlin plays the overweight, under-educated leader of nation of humans addicted to entertainment.

The analogies and predictions for the future are a bit contrived (particularly the Adam and Eve thing, and the 'we're all becoming fat and destroying the environment' motif) but still worthy.

I didn't quite take to it as others would becuase I didn't feel anyting for Wall-E, but it's an entertaining film with the usual Pixar quality of production.

Good!

Wednesday, 14 October 2009

Ponyo


Dir: Hayao Miyazaki

Narry B has been around the block a few times. He grew up on the streets. He's now sickened by the constant repetition of useless opinion that fills the internet. Where does this idea of mass opinion come from?

Ponyo is not a) "kid's film", and b) it is not a letdown for Miyazaki. Even if it was a "kid's film" (the very expression make's NB's skin crawl, ironing out the wrinkles on his sagging face), that would be all the more reason to go see it as hopefully it wouldn't have the same amorality and contrivision of "adult films". People better be purifying their hearts, and Ponyo's the way to do it!

It's genius from start to finish. Ponyo is visually sublime, storily captivating and musically entrancing. I don't normally get massively involved in the film, but when watching Ponyo I was moved to shout "Run, Sosuke!", or let out a gasp of shock as the waves tried to encroach him. Ponyo is so powerful that it touched this old man's heart.

As with all made in Japan films, the fact that you have to watch it in the original Japanese is blindingly obvious. Ponyo doesn't bother to explain everything (is that what being a "kid's film" means?) and leaves you in love with life and nature.

Genius!

Tuesday, 4 August 2009

カムイの剣 (Dagger of Kamui)


Dir: Rintaro
Year: 1985

This 1985 animation is rated very highly by many western sources. Midnight Eye, for example, included it in their top 5 animated films. In Japan, however, it is not very well known. I had enough difficulty finding it.

It's steep reputation is deserved. The story is riveting, although by no means original. Ken is an orphaned ninja with a mysterious past and even more mysterious future. As he travels the world picking up clues about his life and what happened to his parents, he becomes more aware of the massive conspiracy surrounding his own fate and that of Japan.

It's the 'travelling' the world element that is particularly enjoyable. Jiro, the main character, traverses Japan, the seven seas and America on his quest. Wandering throughout the world in the 1800's has always been a dream of Narry B's. Alas, he spent most of the 1800's with a cold.

It's the exploration and fairytale like setting of this film that is really enthralling. In fact, the whole thing is put together exceptionally well, with a nice mix of emotional charge, storytelling, action and comedy (an African slave crying out 'Jiro, My Benefactor!' is a laugh out loud moment).

Rintaro later went on to direct Metropolis, which is probably where you schmoes have heard of him.

Top Work!